Review

漸現的批判：「城市地景」系列短片與歌德學院｜放映週報
On “Selected Shorts: Reconsidering the Goethe Institut Film Workshops”

圈選的姿態，思考的筆觸：記威廉．克萊因回顧展「親愛的夥伴們」｜CLABO 實驗波
The Gesture of Contemplation: On ‘Dear Folks’

‍鑄造一尊合法的聖像：《大俠胡金銓》的鄉愁與緬懷｜放映週報
Building a “Legitimate Icon”: Review on ‘The King of Wuxia’

完美的分離——今敏與《藍色恐懼》｜電影神搜
Separation Perfected: The "Blue" Painted by Satoshi Kon

2023年度十大：觀眾是被創造的，還是創造者本身？
The Making of Audience: Films of the Year 2023

《記憶》：「觀眾」的視覺，即為永無止息的分娩｜電影神搜
On ‘Memoria’

‍作為當下的過去，與朝向未來的追憶：《魂牽夢屋》的私人書寫及「家庭電影性」｜放映週報
The Past as Present: Review on ‘Cette Maison’‍

Interview

躍入現實：專訪女性影展「身體即異世界」單元策展人郭敏容
Leap into the Reality: Interview with WMWIFF Guest Curator KUO Ming-Jung

輕聲耳語時間的姿態：專訪目聶仔影展「實驗．時態」策展團隊
Whispering the Time: Visiting Bák-nih-á Film Festival 2 'Times Ex-Tense'‍

‍「那被遮蔽和未被看到的事物，反而才是最讓人期待的」：專訪黑影展策展團隊
See Through the Darkness: Interview with Black-A Film Festival’s Curators

「認同」的滋味，及潛於身後的集體意識──對話第 13 屆 EX!T 策展人黃志輝、文晶瑩
The Taste of Identity: Interview with Chi Fai Wong and Phoebe Man

‍‍否定作為一種迴返，或是重新出發——記 non-syntax 實驗影像展
Return by the Action of “non”: Note on non-syntax Experimental Image Festival

讓我們一起書寫歷史——拜訪亞洲電影資料館（Asian Film Archive）
Together, Writing a History: Visiting Asian Film Archive

復仇的氣口 (khuì-kháu)，及其風味——專訪《藍眼武士》導演暨監製吳怡君
The Taste of Revenge, and its Flavor: Interview with Jane Wu

曖昧敘事的無盡網羅：專訪強．史諾迪
Ambiguous Park, Endless Narration: Interview with Jon Snoddy

縝密的差距——專訪《伊貝林：在魔幻世界登入人生》導演班傑明．李
The Nuance of Documentary: Interview with Benjamin Ree

怪談、實驗、恐怖劇場：專訪手塚真
Horror Theater and the Experimental Practice: Interview with Macoto Tezuka

‍以「謬誤」架空官方構築的歷史蜃樓：專訪導演陳君典
Strike Back “The History”: Interview with CHEN Chun-Tien

‍除了與亡者共舞，我還想知道如何「活下去」：專訪導演薛若儀、黃聖鈞
Dance with the Death, Think of the Live: Interview with HUANG Sheng Chun and HSUEH Lo Yi

說書人與他的故事：專訪攝影家唐景鋒
Storyteller and His Tale: A Conversation with Kurt Tong

Essay

擾動群島的影像系譜：試論「流離島影」的音畫建構策略｜紀工報
The Genealogy of Island: Re-imagining 'Floating Islands'

閱讀的條件，理解的模式：攝影、檔案型創作及其策展｜CLABO 實驗波
Mode of Apprehension: On Photography, Archival Practice and Curation

行動代號：出版――2022 年巴黎攝影博覽會／光圈基金會攝影書獎觀察｜Lightbox Newsroom
Publish-ing as Method: A Survey of 2022 Paris Photo–Aperture PhotoBook Awards

何以為邊，何處為界？2023年京都國際攝影節觀察｜CLABO 實驗波
Bordering the Festival and Community: Review on “KYOTOGRAPHIE” 2023
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‍拓邊、創造、駭入、擊發：試探「遊戲社會」的規則與界線｜CLABO 實驗波
‍Surfing the Wave of Flux: On ‘Game Society’
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‍採集、匯聚，然後相遇——巴斯．徳沃斯與他的奇異時刻｜台北電影節
Gather, Converge, and then Encounter: Bas Devos and His Odd Moments

‍分解生活、重組意識：高重黎的後設影像裝置與視覺玩具｜釀電影
Kao Chung-Li’s Meta-Image Installations and Visual Toys

‍隱現的目光：關於常民攝影（Vernacular Photography）的初步探勘｜CLABO實驗波
Hidden Light in History: Writing on Vernacular Photography

以目觸之／知：立體視覺與虛擬旅遊｜CLABO 實驗波
Travel the World Through the Stereoscope: Virtual Travel snd Stereo View